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Kinoprogramm Stuttgart, Onlinereservierung, Aktuelle und kommende Filme sowie viele interessante News rund um den UFA Palast Stuttgart. Kinoprogramm Düsseldorf, Onlinereservierung, Aktuelle und kommende Filme sowie viele interessante News rund um den UFA Palast Düsseldorf. Instagram. Einstiege. Programmübersicht · UFA First Preview · Kinonews. Titel Gipsy Queen Dauer Minuten FSK ab Genre Drama Regie Hüseyin Tabak Darsteller Aleksandar Jovanovic, Alina?erban, Tobias Moretti, Catrin. Titel Der Fall Richard Jewell Dauer Minuten FSK ab Genre Drama Regie Clint Eastwood Darsteller Kathy Bates, Sam Rockwell, Jon Hamm, Nina.
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In May, an art committee headed by Carl Froelich — but in fact controlled by Goebbels — was founded. This committee proceeded to have a direct influence on UFA's production planning; it also severely curtailed the work of production head Ernst Hugo Correll.
In , Correll was fired after refusing to join the Nazi Party. At the time of its nationalization, among the production facilities belonging to UFA were 27 film studios, nine of which were in Neubabelsberg Potsdam-Babelsberg , and seven of which were in Berlin-Tempelhof, including three that belonged to Carl Froelich-Film GmbH in name only.
UFA also had two dubbing studios, a mixing studio, two animation studios, two ateliers for advertising films, one for cartoons and a small training atelier.
Film production in the captured nations was also brought under its aegis. The production heads worked for the administrative director general and were responsible for the overall planning of annual programming and content design all the way up to the actual shooting of the film: these heads were also responsible for giving instructions to the film line producers and directors.
It was subsequently fully nationalized in mid All activities in the film industry were placed under strict licensing regulations and all films were subject to censorship.
The Soviet military government, which was in favor of a speedy reconstruction of the German film industry under Soviet supervision, incorporated the Babelsberg ateliers into DEFA , subsequently the GDR's state film studio, on May 17, Murderers Among Us was the first German feature film in the post-war era and the first so-called "Trümmerfilm" "Rubble Film".
Wolfgang Staudte directed the film and also wrote the screenplay. Additionally, the Soviets confiscated numerous UFA productions from the Babelsburg vaults and dubbed them into Russian for release in the USSR; and simultaneously began importing Soviet films to the same offices for dubbing into German and distribution to the surviving German theaters.
In contrast, the main film-policy goal of the Allied occupying forces, under American insistence, consisted in preventing any future accumulation of power in the German film industry.
The Western powers also had more interest in opening up the German film market for their own products rather than in letting the national film industry regain its foothold.
Thus the reorganization of Germany's film industry outside the Soviet zone was very slow, in spite of the "Lex UFI" law issued in September by the American and British military regime and the Dissolution Law June issued by the German Bundestag.
Because of its identification with Nazi filmmaking, UFA was additionally relegated to a status of controversy as to whether it should be allowed to resume operations at all, and motion pictures produced after the war in the Allied zones were, for a decade, made by other, fledgling companies.
It was by the time Bavaria was outsourced and the remaining UFA re-privatized. A bank consortium led by Deutsche Bank was behind the founding of the new Universum-Film AG, whose production facilities included the Afifa-Kopierwerk and the ateliers in Berlin-Tempelhof.
In order to prevent the sale of film rights belonging to the old UFA, the Friedrich Wilhelm Murnau Foundation was set up in Wiesbaden on the initiative of the German Federal Government and representatives of the film industry.
In , the foundation acquired the rights to UFA and Bavaria Film — and they have been administering, storing and restoring ever since.
The right to the UFA name remains, however, with Bertelsmann. Under the management of Werner Mietzner, the company experienced a renaissance in productions at UFA Fernsehproduktion.
They also established and marketed new film and sports rights. UFA's many prize-winning TV films, light entertainment formats, popular soap operas, long-running TV series, sitcoms and non-fiction programs have made it the leader on the German television market.
The company broadcasts over 2, hours of content each year. UFAInteractive, a small subsidiary directly associated with the holding company, was created to fulfill UFA's need for constant innovation e.
UFA experienced a golden age in cinema from the s to the s. In this period, the company contributed significantly to the history of German film.
The following are among UFA's most famous productions from those years:. Stein , Wilhelm Thiele. From Wikipedia, the free encyclopedia.
It is not to be confused with de:Universum Film. This article needs additional citations for verification.
Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed.
Babelsberg , Potsdam , Brandenburg. Film TV-film TV series. Film TV program. Main article: List of UFA films.
Source: Gomery , pp. German Early Cinema Database. Retrieved 23 October Borgelt, Hans Walter de Gruyter.
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